The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.
源自:https://www.kviff.com/en/programme/film/63/40082-red-rooms
1905网友: 《红色房间》多线叙事并行,几条故事线慢慢交汇。人物命运彼此交织,慢慢拼凑出完整的故事全貌。
pptv电视网友: 世事变幻无常,学会从容接纳所有意外变故。
腾讯视频网友: 故事里没有绝对的英雄,普通人也可以做出勇敢选择。打破固有叙事套路,视角新颖。
乐视网网友: 镜头转场设计巧妙,画面之间无缝衔接。转场同时完成情绪与时空切换。
bilibili网友: 信任建立艰难,一旦破碎,修复之路格外漫长。