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《没有和解》是由导演:让-马里·斯特劳布,达尼埃尔·于伊耶,主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔等共同参演的一部值得大家观看的电影,还在等什么?赶紧点击上方地址观看吧!
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
搜狐视频网友: 剥去华丽包装,故事内核依旧是人与人真挚情感。朴素情感,永远最打动人心。
腾讯视频网友: 悬疑故事心理描写出彩,挖掘角色内心阴暗面。不止解谜,更是剖开人性复杂。
优酷网友: 悬疑依靠环境与心理暗示,不靠突然惊吓,心理惊悚质感高级。
乐视网网友: 《没有和解》环境音效细腻真实,风声、脚步声搭建沉浸空间。听觉细节,让故事世界变得更加鲜活。
pptv电视网友: 不是爽片,也不是苦情片,更像一段真实人生切片。